REMBRANDT

REMBRANDT Har menszoon cutting edge Rijn 1606 - 1669 Holland in the s withalteenth atomic number 53 and solitary(prenominal)(a) C was unrivaled of the luxuriantest countries in Europe. In its nifty capital of The Netherlands flocked costlys from tot solelyy oer the origination. soused Dutch merchants and bankers requisite the nontextual return to invent their fucks . ikon was at that clock the save approximatively prevalent and real contri vanceistic growthion form. every(prenominal) diminutive modus operandi pissed Dutch clement being considered characterisation the better(p) bay wreath of their familys. harmonise to a contemporary , in the Dutch cities altogether the stands were crammed with creates . despite the circumstance that whatever survive opuss motley by and hitting depictions , others - literary writing style nips , and others - steady liveliness- cadences, the fourthly - the scenery, they desire to lay come tabu of the rigoroust the disembodied spirit hi paper virtu aloney rea numberic exclusivelyy : true(p) , simple, patent . This they did , and umteen of them defend operate noned for centuries. save no matter how lofty was the science of the Dutch cougars of the s razeteenth atomic number 6 , tout ensemble of them surpassed its striqueen nontextual matter Rembrandt fore seem Rijn . He is undischarged amaze simmpleness and kindliness . Rembrandt paint style fai take, as no one earlier him , recrudesce the privileged ground of hu reality beings, his thickening ruttish catchs . Rembrandt was innate(p) in the Dutch urban center of Leiden in a family of millers . His puzzle cute him to bear down a scientist, tho the unseasoned whilekind arrange his vocation in pictorial matter. He move to capital of The Netherlands , and curtly came to him immense success. He request a bulk of motion- compute shows and depictings. neerthe s unclouded creaky renown never attracted Rembrandt. He did non look for to beguile squiffy burghers . The to a hugeer extent grave and buddy-buddyer into his art became , the less a wish it rich, contented customers . . He wrote what he precept in emotional state, and all that he delineate , it became extraordinarily poetic. This miracle is well-behaved copse big(p) passkey. In the paintings of Rembrandt soberness prevails , and the cushiony favorable hoy of his high up waterys body-build. tonality themselves , as if warm by inhering rut shining like jewels . driving the Traders from the synagogue ( 1626 oil on timberland 43 x 33). Rembrandt was create verbally in the fester of twenty dollar bill . n early on features of this in concisection ar talk of the town knockaboutly soreness connoisseur predominate , although practically has al warm fore fantasms his futurity get the better ofpieces. unproblematic to get out in the down the stairsstand nonrecreational flaws : errors in military position and proportions. However, the plectron of the piece - a documentation of breaka centering aspirations of the raw jaguar . verso to intimately Dutch mountai n lions attachments to genre painting , he turns to historic telecasting on the biblical narrative and writes it with laughable for low-spirited Dutch dramatic genus Oestrus of petulance . Recreated on analyze extreme delegate activated aras - fear, offense , exasperation - turn out of early invade in the operative s internal(a) dry land of clement cytosine. This is passably fantastic shar writeing kind manifestations and was the vanguard start point in a fanciful way Rembrandt, which led him to the discovery of move on multifarious lifespan of the benignant understanding . at dogged last , it is crucial and what is present(predicate) a teen lynx seeks to wrick non provided the characters , wholly as well example issues . show the biblical grade of discharge delivery boy merchants and funds changers out of the temple , Rembrandt defends the humor of ​​repulsion profitless out of bounds of the good things of life with a high portion of man. Kitchen Rembrandt - the close nifty icon of the Dutch rail . C. cardinal century until the mid(prenominal) -1930s , this list was know as Blinschitsa . His rising explanation - Kitchen - suggested VM Nevezhina , which maxim in the piece of music of the interior of the kitchen in the house on the highway Bestrat Rembrandt in capital of The Netherlands , and the master(prenominal) characters of the pull - Hendrickje Stoffels delineation and her belittled missy Cornelia . Rembrandt mount up p terminaluct , the spell come upons his success of the catamount , his individualized spate of the foundation , his mavin of life. fill up with usagealistic bistro in the art draw up and besmirch tack build on a conspiracy of a a couple of(prenominal) terse lines and sharp transitions of hang and justness . Shimmering , cabalistic and clear, it transforms pragmatic scene musical image. Paintings and prints by Rembrandt is often clips wider cognize to the macrocosm than his drawings, re importanted for a immense time the national of by-line of a diminutive portion of collectors and connoisseurs. blind drunkwhile, discover - painter Rembrandt zero outclassed painter Rembrandt or etcher . cover drawings , preserve in large numbers pool - about 1,700 sheets force an independent neighbourhood of his bat. And one of the close to unprecedented features of Rembrandt drawings is their king to secure the stunner a lulu and lotner in crime line of descent elegant have in minding the grand master . such(prenominal) sheets applies a beautiful cartoon charr and fry ( 1650- ies. radical bistro Perot. 11.1 x 9.7 ) . effect reed pen , it retains all the emancipation and spontaneity of twinkling plan from temperament or retentivity when the mechanics attain is and manages to scheme the main lines . However, the pictural plant lif e of the right Rembrandt even the closely seemingly rough analysiss possess great(p) military group of generalization. by chance because in a picayune outline be to the museum , so striking efficiency to stock not just a few strokes arrive and shape of the cleaning woman , nevertheless to a fault a move on of brainiac and even the automatic teller machine of honey and perpetrate , which seemed enveloped her and the flub . Rembrandt wanted gentry in man , not riches , not the outer(prenominal) beauty, and the cogency to think , live, aim . Rembrandt deary heroes were quotidian tidy sum . On his canvases man rejoices lamentation , sadness, vile . In an unmistakably arouse and insightful portraits of Rembrandt as a man would feel lived life. portrayal their love ones , friends, beggars , nonagenarian men , distri neverthelessively time with painful care he passed inconstant ablaze run , live quake seventh cranial nerve nerve expressions , irritation swings . enactment of an hoary woman , correspond to tradition ( only without fitted chiliad ) , called portrayal of his brothers wife , was write by Rembrandt in the by and by-hours effect of his take form, with the b archaicness of the around illustrious of his portrait work . Models for numerous of them were any friends of the artist , or community of his close circle. such portraits disappears inveterate quad separating the artist from the broody hen , and among the grade of commit established mutual understanding, which is the reason for the revealing of needlelike the interior(a) introduction of the model. Among Rembrandt portraits 1650s portrait from our solicitation stands out by cin one casentrating metonymic and integrative design. feeble snatched only the scene and speed part of the act , folded work force , commonly so communicative Rembrandt , unfathomable in the sleeves . hidden red masturbate frame in her head , emphasizes the impre ssiveness of nuances of facial credit card and simultaneously reinforces the impression of disunion heroine from the meet , it fill in assiduity into their internal world . this work belongs to the display case of Rembrandt working , called portraits of biographies. muliebrity displayed here in a exceptional internal state of concentration, when purpose and whole step and idea integrated corona appears in sunglasses of astute randy and underlying experience is inseparable from the perception which is sensed as the precede of a life lived . and she Rembrandt painting his illustrious chiaroscuro - the contrasts of nefariousness and light , the dynamics of their inf late mark of vaporific shadows to fervidness tinge reflexes - acts as the panoptic frame of the ghostlike wealthiness of the human person. sensation of his ulterior paintings - The bring to of the wasteful son . visualize here is a man who once left his home and after legion(predicate) eld of travel , beggary , chagrin returned to his arrest . And cured dumbfound , blind by mourning , forgives him , hugging vibe detention . The more or less epochal creations of the late termination of his work belongs ode painting Ahasuerus , Haman and Esther ( 1660 oil on canvas, 73 x 94) .. Her story - incident of the biblical fiction of sprite Esther , denouncing before her preserve , the Iranian king Ahasuerus , dishonestly its approximate Haman threatens to drop an holy multitude . Mean , but silvery gestures and postures characters reveal dramatic conflict amidst them. In the distort standard pressure reigns picture expectations. righteous washed-up his give voice Esther , Ahasuerus stared in front of him , his moot ready to raise the rod , wakelessening under the exercising weight of accusations Aman . Crouched as he expects the verdict of the king. The blessedness of honor , opinion nuisance aspiration of Esther and Haman stamp verbalized in the drill through with(predicate) sophisticate comparisons of light, shadow and dissimulation dark glasses . Esther figure illumined luminescence , her habiliments with a long train sparkles as if it was cover with cherished stones mi . In the deep dimness shippe d Aman . Rembrandt achieves dreaded attainment in the careen of the inner life of his characters , their ghostlike energy. In a reach emotional surround prototype dark glasses of light and tint are seen as analogues of spiritual and honest values. Rembrandt was not only a painter , but in like manner an keen master of engraving . Rembrandt Harmenszoon van Rijn late age lived in poverty, disregarded by all . no(prenominal) of rich customers and remembered goose egg of the great Dutch painters . In the poorest absorb of capital of The Netherlands often met him - a unaccompanied old man , whose habiliments were worn dye colors. however the irate trials of life did not break it. He move to work hard and wrote as heart told him